circus dramaturgy
Dramaturgy performed in a circus show.
Circus arts teachers instruct students in a recreational context in the various circus techniques and acts such as trapeze acts, juggling, mime, acrobatics, hooping, tightrope walking, object manipulation, unicycling tricks, etc. They provide students with a notion of circus history and repertoire, but mainly focus on a practice-based approach in their courses, in which they assist students in experimenting with and mastering different circus techniques, styles and acts and encourage them to develop their own style. They cast, direct and produce circus performances, and coordinate the technical production and possible set, props and costume usage on stage.
No competences in this bucket.
Dramaturgy performed in a circus show.
The specific terminology related to the circus activities.
The way the circus concepts and traditions have evolved through time and their artistic meaning.
The various types of movement and physical postures undertaken for relaxation, body-mind integration, stress reduction, flexibility, core support and rehabilitation purposes, and that are required for or underpin occupational performance.
The cooperation between people characterised by a unified commitment to achieving a given goal, participating equally, maintaining open communication, facilitating effective usage of ideas etc.
Share knowledge and abilities with other performers teaching them important circus skills.
Adjust plans to other locations with regards to the artistic concept.
Adjust the level of effort required for the artistic production. Adapt or adjust movements and movement sequences. Set performance limits. Allow recovery periods and take other measures.
Motivate performers to take on challenges. Encourage peer-learning. Establish an environment for experimentation using various methods, such as improvisation.
Check the daily and long term schedules for rehearsal, training, performances, season, tour, etc., taking into account the project timeline and all the preparations required by the production.
Oversee the day-to-day coordination of production tasks so that the organisation fits within the desired artistic and business policies and in order to present productions in a uniform corporate identity to the public.
Continually develop and define a concrete artistic vision, starting from the proposal and continuing all the way through to the finished product.
Verify the technical aspects of your workspace, costumes, props, etc. Eliminate potential hazards in your work space or performance. Intervene actively in cases of accidents or illness.
Manage, schedule and run rehearsals for the performance.
Have a very high level of practical and technical skills and competences of one or several chosen circus disciplines in order to enter into the professional circus field.
Select artistic materials based on strength, colour, texture, balance, weight, size, and other characteristics that should guarantee the feasibility of the artistic creation regarding the expected shape, color, etc.- even though the result might vary from it. Artistic materials such as paint, ink, water colours, charcoal, oil, or computer software can be used as much as garbage, living products (fruits, etc) and any kind of material depending on the creative project.
Work together with other circus artists and management. Make sure to do your part while keeping the performance as a whole in mind.
Identify the learning struggles and successes of students. Select teaching and learning strategies that support students’ individual learning needs and goals.
Employ various approaches, learning styles, and channels to instruct students, such as communicating content in terms they can understand, organising talking points for clarity, and repeating arguments when necessary. Use a wide range of teaching devices and methodologies appropriate to the class content, the learners' level, goals, and priorities.
Evaluate the students' (academic) progress, achievements, course knowledge and skills through assignments, tests, and examinations. Diagnose their needs and track their progress, strengths, and weaknesses. Formulate a summative statement of the goals the student achieved.
Support and coach students in their work, give learners practical support and encouragement.
Take students' opinions and preferences into consideration when determining learning content.
Present to others examples of your experience, skills, and competences that are appropriate to specific learning content to help students in their learning.
Develop a style for coaching individuals or groups that ensures all participants are at ease, and are able to acquire the necessary skills and competences provided in the coaching in a positive and productive manner.
Stimulate students to appreciate their own achievements and actions to nurture confidence and educational growth.
Provide founded feedback through both criticism and praise in a respectful, clear, and consistent manner. Highlight achievements as well as mistakes and set up methods of formative assessment to evaluate work.
Ensure all students falling under an instructor or other person’s supervision are safe and accounted for. Follow safety precautions in the learning situation.
Manage the relations between students and between student and teacher. Act as a just authority and create an environment of trust and stability.
Maintain discipline and engage students during instruction.
Prepare content to be taught in class in accordance with curriculum objectives by drafting exercises, researching up-to-date examples etc.
Ensure that the necessary materials for teaching a class, such as visual aids, are prepared, up-to-date, and present in the instruction space.
Stay informed on new trends and apply them on artistic experiences.
No competences in this bucket.
No competences in this bucket.
Various evaluation techniques, theories, and tools applicable in the assessment of students, participants in a programme, and employees. Different assessment strategies such as initial, formative, summative and self- assessment are used for varying purposes.
The goals identified in curricula and defined learning outcomes.
The various techniques and tools for applying make-up.
The pronunciation techniques to properly and understandably pronounce words.
The various techniques for using your voice correctly without exhausting or damaging it when changing voice in tone and volume.
No competences in this bucket.
Identify the essence of a proposed artistic project. Assess the strong and weak points of the proposal. Judge whether to accept the proposal, and whether to propose modifications.
Check the rigging installation for circus acts in order to ensure safe and correct operation.
Adopt a pleasant, professional and positive manner with all customers, anticipating their needs and passing customer complaints to a member of the management team (if necessary) in a calm, professional and non confrontational manner.
Define your own artistic approach by analysing your previous work and your expertise, identifying the components of your creative signature, and starting from these explorations to describe your artistic vision.
Define the specific safety, technical and performance needs for circus acts rigging in a technical rider or description.
Develop speeches, activities and workshops in order to foster access and comprehension to the artistic creation processes. It can address a particular cultural and artistic event such as a show or an exhibition, or it can be related to a specific discipline (theatre, dance, drawing, music, photography etc.). Liaise with storytelles, craftspeople and artists.
Analyse and improve the choreographic movements and physical language, following the directions of the choreographer, scene director, etc.
Select the correct training environment and assess risks to ensure it provides a safe, clean and friendly fitness environment and that it will be the best use of the environment in which clients are exercising.
Encourage students to cooperate with others in their learning by working in teams, for example through group activities.
Instruct in detail about the intended use, place, requirements and safety issues of circus rigging equipment in order to ensure safe and accurate assembly and fit-up of the equipment.
Check, maintain and adapt circus rigging equipment regularly and before each performance.
Use cosmetics on artists for stage performances.
Present and promote one's artistic approach and position one's work in target markets.
Manage an artistic project. Determine project needs. Establish partnerships. Manage the budget, schedule, contractual agreements and assess the project.
Select pieces of music for a live performance. Consider factors such as ensemble abilities, availability of scores and the need for musical variety.
Apply ropework to work in elevated position. Safely ascend and descend ropes, wearing a harness.
Understand, analyse and describe your own performance. Contextualize your work in one or various styles, trends, evolution, etc. Self-evaluate your work in rehearsals and performances.
Apply the principles and rules that govern the activities and processes of an organisation.
Provide assistance to students when working with (technical) equipment used in practice-based lessons and solve operational problems when necessary.
Develop and plan the learning goals and outcomes for education institutions, as well as the required teaching methods and potential education resources. Organise content, form, methods and technologies for delivery of study experiences.