adapt existing designs to changed circumstances
Adapt an existing design to changed circumstances and ensure that the artistic quality of the original design is reflected in the final result.
Pyrotechnic designers develop a pyrotechnical design concept for a performance and supervise the execution of it. Their work is based on research and artistic vision. Their design is influenced by and influences other designs and must be conform with these designs and the overall artistic vision. Therefore, the pyrotechnic designers work closely with artistic directors, operators and the artistic team. During rehearsals and performance they coach the operators to obtain optimal timing and manipulation. Pyrotechnic designers develop plans, cue lists and other documentation to support the operators and production crew. Pyrotechnic designers sometimes also work as autonomous artists, creating pyrotechnical art outside a performance context.
No competences in this bucket.
Adapt an existing design to changed circumstances and ensure that the artistic quality of the original design is reflected in the final result.
Work with artists, striving to understand the creative vision and adapting to it. Make full use of your talents and skills to reach the best possible result.
Break down a script by analysing the dramaturgy, form, themes and structure of a script. Conduct relevant research if necessary.
Analysing the score, form, themes and structure of a piece of music.
Analyse the artistic concept, form and structure of a live performance based on observation during rehearsals or improvisation. Create a structured base for the design process of a specific production.
Analyse the selection and distribution of material elements on a stage.
Give instructions to all team members about how they should run the performance.
Communicate efficiently with other professionals during a live performance show, anticipating any possible malfunctioning.
Ensure that costumes and pieces of clothing in visual artistic productions are historically correct, based on research conducted in primary sources as literature, museums, newspapers, pictures, etc.
Identify influences and situate your work within a specific trend which may be of an artistic, aesthetic, or philosophical natures. Analyse the evolution of artistic trends, consult experts in the field, attend events, etc.
Define your own artistic approach by analysing your previous work and your expertise, identifying the components of your creative signature, and starting from these explorations to describe your artistic vision.
Research information to develop new ideas and concepts for the design of a specific production. Read scripts and consult directors and other production staff members, in order to develop design concepts and plan productions.
Share and develop design ideas with the artistic team. Conceptualise new ideas independently and with others. Present your idea, gain feedback and take it into account. Make sure the design fits with the work of other designers.
Identify and explore recent developments in technology and materials used in the live performance industry, in order to create an up-to-date technical background for one’s personal design work.
Identify and investigate sociological trends and movements in society.
Control and ensure the quality of design results during a run.
Plan the pyrotechnical effects for a performance. Develop an artistic vision into a plan, taking safety into account.
Take steps to prevent fire in a performance environment. Make sure the space complies with fire safety rules, with sprinklers and fire extinguishers installed where necessary. Make sure staff are aware of fire prevention measures.
Promote the importance of a safe working environment. Coach and support staff to participate actively in the continuous development of a safe working environment.
Assess past artistic activities with a view to improving future projects.
Observe the show, anticipate and react to possible technical problems, ensuring optimal artistic quality.
Interpret an artist's explanation or demonstration of their artistic concepts, inceptions and processes and strive to share their vision.
Updating the design results based on observation of the stage image during the rehearsals, especially where the different designs and the action are integrated.
Set up, test and operate different types of communication equipment such as transmission equipment, digital network equipment, or telecommunications equipment.
Take the necessary precautions for storing, using and disposing chemical products.
Take the necessary precautions while providing temporary power distribution for performance and art facility purposes under supervision.
Take necessary precautions while preparing, transporting, storing, installing and operating with pyrotechnical materials and explosives of class T1 and T2.
Attend rehearsals in order to adapt sets, costumes, make-up, lighting, camera set up, etc.
Monitor and follow new trends and developments in specific sectors.
Ensure operative processes are finished at a previously agreed-upon time.
Prepare and present detailed design suggestions for a specific production to a mixed group of people, including technical, artistic and management staff.
Thorough research for information to develop new ideas and concepts for the design of a specific production based.
Cooperate with the artistic team in order to facilitate the transition from the creative vision and its artistic concepts to a technical design.
Make use of protection equipment according to training, instruction and manuals. Inspect the equipment and use it consistently.
Developing new designs mastering specialised software.
Understand and use technical documentation in the overall technical process.
Interpret an artistic plan and verify whether the described design can be executed.
Apply ergonomy principles in the organisation of the workplace while manually handling equipment and materials.
Apply the safety rules according to training and instruction and based on a solid understanding of the prevention measures and risks to your own personal health and safety.
No competences in this bucket.
No competences in this bucket.
Legislation describing the protection of the rights of original authors over their work, and how others can use it.
Legislation, on a national or international level, that governs labour conditions in various fields between labour parties such as the government, employees, employers, and trade unions.
No competences in this bucket.
Define and make a list of the required resources and equipment based on the technical needs of the production.
Build devices needed for the pyrotechnical effects in a performance.
Calculate design costs to make sure the project is financially viable.
Documenting your own work practice for different purposes like assessment, time management, job application etc.
File and document a production in all its phases right after the performance period so that it can be reproduced and all relevant information remains accessible.
Obtain the appropriate administrative permits and licences for use and transport of pyrotechnics and weapons.
Take the necessary steps to operate pyrotechnical effects during a performance.
Initiate activities in order to attract new and interesting customers. Ask for recommendations and references, find places where potential customers can be located.
Make sure to set up equipment according to deadlines and time schedules.
Make sure the pyrotechnic equipment for a performance is set up and ready for operation.
Safely store materials used for pyrotechnical stage effects and the produced trays of pyrotechnics sorting them according to the processing date.
Test pyrotechnical effects before a performance to make sure they work smoothly and safely.
Make sure that a given budget remains up to date using most recent and most accurate information. Anticipate possible variations and ensure that the set budgetary goals can be reached within the given context.
Assess risks, propose improvements and describe measures to be taken on a production level in performing arts.
Reach out to and meet up with people in a professional context. Find common ground and use your contacts for mutual benefit. Keep track of the people in your personal professional network and stay up to date on their activities.
Take necessary precautions and follow a set of measures that assess, prevent and tackle risks when working at a high distance from the ground. Prevent endangering people working under these structures and avoid falls from ladders, mobile scaffolding, fixed working bridges, single person lifts etc. since they may cause fatalities or major injuries.
File and organise personal administration documents comprehensively.
Lead, supervise and motivate a group of people, in order to meet the expected results within a given timeline and with the foreseen resources in mind.
Take responsibility for lifelong learning and continuous professional development. Engage in learning to support and update professional competence. Identify priority areas for professional development based on reflection about own practice and through contact with peers and stakeholders. Pursue a cycle of self-improvement and develop credible career plans.
Coordinate human, material and capital resources within artistic productions, based on the given documentation e.g. scripts.
Intervene in the case of a fire in order to extinguish the fire or limit the effects pending the arrival of emergency services according to training and procedures.
Prepare and distribute documentation to ensure all people involved in the production receive relevant and up-to-date information.
Check and safely operate machines and equipment required for your work according to manuals and instructions.