adapt to type of media
Adapt to different types of media such as television, movies, commercials, and others. Adapt work to type of media, scale of production, budget, genres within type of media, and others.
Stop-motion animators create animations by using puppets or clay models.
No competences in this bucket.
Adapt to different types of media such as television, movies, commercials, and others. Adapt work to type of media, scale of production, budget, genres within type of media, and others.
Break down a script by analysing the dramaturgy, form, themes and structure of a script. Conduct relevant research if necessary.
Design and develop visual animations using creativity and computer skills. Make objects or characters appear lifelike by manipulating light, colour, texture, shadow, and transparency, or manipulating static images to give the illusion of motion.
Select artistic materials based on strength, colour, texture, balance, weight, size, and other characteristics that should guarantee the feasibility of the artistic creation regarding the expected shape, color, etc.- even though the result might vary from it. Artistic materials such as paint, ink, water colours, charcoal, oil, or computer software can be used as much as garbage, living products (fruits, etc) and any kind of material depending on the creative project.
Test and set up characters, props or environments to ensure they appear correctly from all required camera positions and angles.
Study various media sources such as broadcasts, print media, and online media in order to gather inspiration for the development of creative concepts.
Study characters in scripts and their relationships to each other.
Make sure to stay within budget. Adapt work and materials to budget.
Interpret and meet requirements and expectations, as discussed and agreed upon with the customers.
Manage the sequence of activities in order to deliver completed work on agreed deadlines by following a work schedule.
No competences in this bucket.
The process and techniques for capturing the movement of human actors in order to create and animate digital characters that look and move as humanly as possible.
Types of clays and mud and their appearance, properties, reaction to fire, etc.
Legislation describing the protection of the rights of original authors over their work, and how others can use it.
No competences in this bucket.
Consult with the director, producer and clients throughout the production and post-production process.
Construct hand, string, rod and shadow puppets from materials such as wood, papier maché, Styrofoam, wires, metal and rubber, using hand and machine tools.
Sketch, draw or design sketches and drawings from memory, live models, manufactured products or reference materials in the process of crafting and sculpting.
Design and construct puppets and movement control mechanism, based on sketches and/or scripts, for artistic and entertainment purposes.
Treat different recipes of clay and mud according to the genre (such as china) or the expected strength, look, colour, tradition or innovation in the creative process.
Harmonise body movements in accordance to rhythm and melody, aestetic or dramatic concept, dramatic pace, etc.
Manipulate puppets by the use of strings, rods, wires, electronics or directly by his or her own hands placed inside the puppet or holding it externally, so as to create the illusion of life.
Capture moving images with a camera. Operate the camera skilfully and safely to obtain high quality material.
Operate lighting equipment used during production of movies, commercials, animations and other visual productions to create an atmosphere with light.
Adjust lens apertures, shutter speeds and camera focus.
Put cameras in place and prepare them for use.
Create mobile figures out of clay using different materials and processes.
Maintain a personal portfolio by selecting your best photos or work and regularly adding new ones in order to show your professional skills and development.