instructional strategies
The techniques that instructors use to deliver lessons. The aim of these strategies is to make students become more involved in the learning process.
Performing arts theatre instructors educate students in specific theory and, primarily, practice-based theatre courses at a specialised theatre, or acting, school or conservatory at a higher education level. They provide theoretical instruction in service of the practical skills and techniques the students must subsequently master in theatre. Performing arts theatre instructors monitor the students' progress, assist individually when necessary, and evaluate their knowledge and performance of theatre practice through assignments, tests and examinations.
No competences in this bucket.
The techniques that instructors use to deliver lessons. The aim of these strategies is to make students become more involved in the learning process.
The techniques that facilitate a successful presentation of a play.
The different acting techniques for developing lifelike performances, such as method acting, classical acting, and Meisner technique.
Various evaluation techniques, theories, and tools applicable in the assessment of students, participants in a programme, and employees. Different assessment strategies such as initial, formative, summative and self- assessment are used for varying purposes.
The various techniques to control the voice, body, and nerves by breathing.
The goals identified in curricula and defined learning outcomes.
The pronunciation techniques to properly and understandably pronounce words.
The cooperation between people characterised by a unified commitment to achieving a given goal, participating equally, maintaining open communication, facilitating effective usage of ideas etc.
The various techniques for using your voice correctly without exhausting or damaging it when changing voice in tone and volume.
No competences in this bucket.
Break down a script by analysing the dramaturgy, form, themes and structure of a script. Conduct relevant research if necessary.
Motivate performers to take on challenges. Encourage peer-learning. Establish an environment for experimentation using various methods, such as improvisation.
Research historical backgrounds and artistic concepts of plays.
Ensure that performers are well prepared and closely guided in each work session. Ask performers for feedback about the work sessions and take it into account
Elucidate performance concepts, such as texts and scores for performers.
Identify sources of inspiration and strong points. Identify the subject of the art production. Identify the content. Identify creative factors such as performers and music.
Encourage students to cooperate with others in their learning by working in teams, for example through group activities.
Identify performer's needs, considering the strengths and weaknesses of each performer, and the specific needs for each role or part. Take into account performers' health and safety.
Verify the technical aspects of your workspace, costumes, props, etc. Eliminate potential hazards in your work space or performance. Intervene actively in cases of accidents or illness.
Prepare a training session for performers. Take into account the training goal, the training space, and performers' health and safety.
Use inspirational artifacts and creative methods to stimulate the performers' imagination. Provide the performers with the necessary documentation. Stimulate performers' imagination involved in live performances, theater, film, and entertainment. Professionals in these fields work to inspire and enhance the creativity and imagination of actors, musicians, dancers, and other performers.
Identify the specific aspects of a cast and the emotions elicited by the performers' physical transformations. Sense the emotional charge of choreographic sequences, the arrangement of elements, in the use of space. Identify the emotional curve.
Identify the learning struggles and successes of students. Select teaching and learning strategies that support students’ individual learning needs and goals.
Ensure that the content, methods, materials and the general learning experience is inclusive for all students and takes into account the expectations and experiences of learners from diverse cultural backgrounds. Explore individual and social stereotypes and develop cross-cultural teaching strategies.
Employ various approaches, learning styles, and channels to instruct students, such as communicating content in terms they can understand, organising talking points for clarity, and repeating arguments when necessary. Use a wide range of teaching devices and methodologies appropriate to the class content, the learners' level, goals, and priorities.
Evaluate the students' (academic) progress, achievements, course knowledge and skills through assignments, tests, and examinations. Diagnose their needs and track their progress, strengths, and weaknesses. Formulate a summative statement of the goals the student achieved.
Write, select or recommend a syllabus of learning material for the students enrolled in the course.
Present to others examples of your experience, skills, and competences that are appropriate to specific learning content to help students in their learning.
Research and establish an outline of the course to be taught and calculate a time frame for the instructional plan in accordance with school regulations and curriculum objectives.
Assist clients or patients in moving in a structured or improvisatory manner for expressive purposes.
Provide founded feedback through both criticism and praise in a respectful, clear, and consistent manner. Highlight achievements as well as mistakes and set up methods of formative assessment to evaluate work.
Ensure all students falling under an instructor or other person’s supervision are safe and accounted for. Follow safety precautions in the learning situation.
Communicate with education management, such as the school principal and board members, and with the education support team such as the teaching assistant, school counsellor or academic advisor on issues relating the students' well-being.
Manage the relations between students and between student and teacher. Act as a just authority and create an environment of trust and stability.
Keep up with new research, regulations, and other significant changes, labour market related or otherwise, occurring within the field of specialisation.
Maintain discipline and engage students during instruction.
Prepare content to be taught in class in accordance with curriculum objectives by drafting exercises, researching up-to-date examples etc.
No competences in this bucket.
No competences in this bucket.
The dynamic relationship of human structure and function and the muscosceletal, cardiovascular, respiratory, digestive, endocrine, urinary, reproductive, integumentary and nervous systems; normal and altered anatomy and physiology throughout the human lifespan.
The learning disorders some students face in an academic context, especially Specific Learning Difficulties such as dyslexia, dyscalculia, and concentration deficit disorders.
The various types of movement and physical postures undertaken for relaxation, body-mind integration, stress reduction, flexibility, core support and rehabilitation purposes, and that are required for or underpin occupational performance.
The theoretical methodology used in scientific research involving doing background research, constructing an hypothesis, testing it, analysing data and concluding the results.
No competences in this bucket.
Adapt a script and, if the play is newly written, work with the writer or collaborate with playwrights.
Understand and analyse theatre texts; take an active part in the interpretation of the artistic project; conduct thorough personal research in textual material and dramaturgy.
Describe experience in your discipline and within an artistic environment. Identify relevant elements to define an approach of your fight discipline in the artistic field. Describe your training background. Identify training that is relevant for the artistic approach of your fight discipline.
Support university students with the writing of their paper or theses. Advise on research methods or additions to certain parts of their dissertations. Report different types of errors, such as research or methodological errors, to the student.
Hold auditions and assess and select candidates for roles in the productions.
Develop a script describing the scenes, actions, equipment, content and realisation means for a play, film or broadcast.
Have and develop a thorough understanding of the dramatic production process.
Develop methods to pass on your choreographic style or signature to the performers. Define a mode of transmission. Select the necessary tools.
Rehearse and develop the artistic, choreographic, dramatic and interactional concepts to embody them in the artistic performance.
Analyse and improve the choreographic movements and physical language, following the directions of the choreographer, scene director, etc.
Create documents to guide the further production and execution of a performance. Create a performer cast list, cue sheets, choreographic notes, etc.
Identify the technical equipment required for rehearsals and performances and the necessary production elements such as sets, props and costumes.
Learn and research a part, in personal and collective research and rehearsal, build an acting performance respecting the concept of the show.
Identify the necessary resources needed for learning purposes, such as materials in class or arranged transportation for a field trip. Apply for the corresponding budget and follow up on the orders.
Perform exercises and demonstrate them when required. Aim to reach the training session objectives and the appropriate pace, finding a balance between artistic requirements and risk prevention principles. Take into account your physical form: fatigue, recovery periods, resting times, etc.
Manipulate purpose-built or improvised instruments to produce musical sounds.
Study and practice dance moves required in artistic productions.
Maintain a positive image of the conservatory and use personal network in the best interest of the conservatory, such as establishing valuable artistic and financial connections.
Research how a play has been interpreted in other productions.
Identify the choreographic structure of a live performance work. Be aware of sequences, sections, parts and rhythmic structure.
Identify developments in the labour market and recognise their relevance to the training of students.
Provide assistance in the planning and organisation of school events, such as the school's open house day, a sports game or a talent show.
Support and coach students in their work, give learners practical support and encouragement.
Provide assistance to students when working with (technical) equipment used in practice-based lessons and solve operational problems when necessary.
Develop and plan the learning goals and outcomes for education institutions, as well as the required teaching methods and potential education resources. Organise content, form, methods and technologies for delivery of study experiences.
Reach out to and meet up with people in a professional context. Find common ground and use your contacts for mutual benefit. Keep track of the people in your personal professional network and stay up to date on their activities.
Keep track of the pupils who are absent by recording their names on a list of absentees.
Perform dialogues or actions spontaneously or without preparation.
Study and practise lyrics, melody, and rhythm of songs.
Advise beneficiaries on future career options through counselling and, potentially, through career testing and evaluation.
Ensure that the necessary materials for teaching a class, such as visual aids, are prepared, up-to-date, and present in the instruction space.
Incorporate the use of online learning environments and platforms into the process of instruction.