street art history
History of street performance and street art traditions.
Street performers create street arts performances for outdoor spaces, using space and audience as a creative resource. They create their performance through playful exploration and experimentation with the purpose of entertaining and possibly also of sharing critical opinions concerning societal issues. They stimulate audience participation as a component of their performance whilst respecting the audience's safety and integrity.
History of street performance and street art traditions.
The history of art and artists, the artistic trends throughout centuries and their contemporary evolutions.
No competences in this bucket.
Encourage the audience to share a different perspective on objects, themes, artefacts, etc. Use the visit or the mediation activity as an opportunity to experience an open space for dialogue and getting to know each other. The very moment must heighten a better understanding of broad, social processes, issues, and their various representations.
Promote yourself by joining networks and circulating promotional material such as demos, media reviews, website, or a biography. Form a promotion and management team. Propose your services to future employers or producers.
Adapt the public space for a street arts performance.
Act in front of an audience, according to an artistic concept.
Observe the conductor, orchestra or director and follow text and vocal score to time cues accurately.
Gather samples of the materials you expect to use in the creation process, especially if the desired piece of art necessitates the intervention of qualified workers or specific production processes.
Maintain portfolios of artistic work to show styles, interests, abilities and realisations.
Use bodily actions to interrupt and interact with the structure of the public space.
Perform in front of live audiences.
Study and rehearse roles from scripts. Interpret, learn and memorise lines, stunts, and cues as directed.
Develop one's own ways of doing artistic performances, motivating oneself with little or no supervision, and depending on oneself to get things done.
Work closely with directors, fellow actors and playwrights to find the ideal interpretation to a role.
Understand, analyse and describe your own performance. Contextualize your work in one or various styles, trends, evolution, etc. Self-evaluate your work in rehearsals and performances.
Attend rehearsals in order to adapt sets, costumes, make-up, lighting, camera set up, etc.
Take the necessary precautions to ensure the physical safety of an audience or people visiting an activity. Prepare actions in case of emergency. Administer first aid and direct emergency evacuations.
Respond to the reactions of an audience and involve them in the particular performance or communication.
Perform together with other actors. Anticipate their moves. React to their actions.
Monitor and follow new trends and developments in specific sectors.
Provide feedback to others. Evaluate and respond constructively and professionally to critical communication from colleagues and customers.
Ensure that other workers and clients are treated with respect and that appropriate civil liability insurance is in place at all times of instructing.
Apply the safety rules according to training and instruction and based on a solid understanding of the prevention measures and risks to your own personal health and safety.
No competences in this bucket.
Develop speeches, activities and workshops in order to foster access and comprehension to the artistic creation processes. It can address a particular cultural and artistic event such as a show or an exhibition, or it can be related to a specific discipline (theatre, dance, drawing, music, photography etc.). Liaise with storytelles, craftspeople and artists.
Create an emotional connection with the audience through your performance. Engage the audience with sadness, humour, anger, any other emotion, or a combination thereof, and let them share your experience.
Manipulate objects and images to create optical illusions.
Participate in cultural and artistic mediation activities: announce the activity, give a presentation or talk related to a piece of art or an exhibition, teach a class or a group, lead artistic mediation activities, lead or participate in a public discussion.
Perform in artistic productions of differents disciplines such as classical ballet, modern dance, contemporary dance, early dance, ethnic dance, folk dance, acrobatic dances and street dance.
Perform on a level accessible to children and young adults, whilst also censoring unadvisable content.
Manipulate purpose-built or improvised instruments to produce musical sounds.
Share humourous expressions with audience, eliciting laughter, surprise, other emotions, or a combination thereof.
Select pieces of music for a live performance. Consider factors such as ensemble abilities, availability of scores and the need for musical variety.
Use the voice to produce musical sounds, marked by tone and rhythm.
Tell a true or ficticious story so as to engage an audience, having them relate with the characters in the story. Keep the audience interested in the story and bring your point, if any, across.
Speak for an audience with the expression of rhythm and vocal technique. Take care that articulation and voice projection are appropriate to the character or text. Make sure that you are heard without compromising your health: prevent fatigue and vocal strain, breathing problems and vocal cord problems.
Create and develop educational resources for visitors, school groups, families and special interest groups.
Follow the instructions of the director while understanding his creative vision.
Handle petty cash for minor expenses and transactions required for the daily running of a business.
File and organise personal administration documents comprehensively.